What horses cry about is a story within a story written by the wonderful writer Abramov. If you briefly describe the story What horses cry for the reader's diary, then this is a work about the difficult fate of horses. The horse asked the hero if it was true that horses used to be valued, but the hero could not answer the truth, thereby betraying his friendship with the animal.
Abramov What do horses cry about
Abramov in his work About what horses cry introduces us to a hero who loved horses, came to the meadow and fed the horses. The narrator especially liked Ryzhukh's horse. With her, he had some special feelings and relationships. Only once did the hero see his horse crying, and when he asked her questions, the horse asked a question about a past life, that in the song she heard how well the horses lived before, how they were cared for and loved, appreciated and cherished. Not like now, horses are easily left in the heat, starved to death and watched as emaciated horses die. But the narrator could not answer the horse the truth, but meanwhile everyone began to mock her.
What are the main characters crying about?
In the story What Horses Cry About, the main character is the narrator. The narrator appears before us in the form of a kind, caring person who loves animals very much, and especially horses, which remind him of his childhood and youth.
Also, the hero of the story is a horse, which was interested in the past life of horses.
What do horses cry about?
If we turn to the story What horses cry about and its main idea, it seems to me that the author wanted to show us how indifferent modern people have become, they are callous and have no pity. Meanwhile, the horses are dying, they are suffering, they are starving. It’s just that a person doesn’t care about this, because what is the use of a horse that has already developed. I think the author, with the help of the story, wanted to encourage people to treat our smaller brothers with respect and love, encourages them to think about our actions, because sometimes people have such an attitude not only towards animals.
Plan
1.
Distant childhood - the world of horses
2.
The narrator feeds the horses
3.
Groom is a drunkard who doesn't care about horses
4.
Favorite Redhead and her tears
5.
Ryzhukha's story about the past life of horses
6.
The narrator is unable to confirm the veracity of Redhead's story.
7.
Hero's Remorse.
The narrator loves horses, for whom life is very difficult: the groom does not take good care of them, forgets to feed and water, and besides, they are pestered by midges. When he can, he visits them and tries to feed them. On one of these visits, the narrator notices that Redhead is crying. From the horse's story, he learns that the horses had an argument about horse life.
The redhead heard a song about those times when horses lived well. These songs were sung to her by an old mare who heard them from her mother, and she from hers. When Ryzhukha listened to these songs, it was easier for her to work, she forgot about the heat and other difficulties of horse life. Going out into the meadow, the young horse began to sing the songs of the old mare to his comrades. But other horses laughed at Ryzhukha, they said that it was all lies, they asked not to poison the soul.
The horse asks the man if what the song says is true. The Narrator cannot bear Redhead's gaze. He knows that this is all true, but he cannot tell his four-legged friend about it. The man leaves. Only then does he realize that he made an irreparable mistake, and that he will never again have such sincerity and trust in relation to Redhead.
Summary of Abramov's story "What Horses Cry About"
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In the lesson, students, using the story of F.I. Abramov "What Horses Cry About" will learn attentive, thoughtful reading; get acquainted with the features of journalistic style; will touch upon the moral problem of man's responsibility to all living things that surround him.
Topic: From the literature of the XX century
Lesson: F.A.'s story Abramov "What horses cry about"
Fedor Alexandrovich Abramov (Fig. 1) was born on February 29, 1920 in the distant northern village of Verkolka, fenced off from the city by endless forests, swamps, and lakes.
Rice. 1. Photo. F. Abramov ()
Too late, too early
But in the Abramov family
A son appeared.
He was born with a temper
Nicknamed Fedor.
To Pinega he is with buckets
Went for water.
pure water,
Flashes of lightning,
Siverko, blizzards -
The years have flown by.
The childhood and youth of the future writer, spent in the distant taiga wilderness, were not easy. A large, large, early orphaned family. The father died when the boy was not even two years old. Difficult half-starved childhood and youth hardened character, instilled industriousness, will, perseverance. And also the vast expanses of Siberia, the amazing beauty of nature taught him a careful, reverent attitude towards all life on Earth.
Only at the age of eighteen did the future writer see the city, the railway. He arrived in Leningrad, entered the philological faculty of the university. The village boy was alerted by the city crowd, where people live in the same house and do not know each other.
The further fate of F.A. Abramova was inseparable from the fate of Russia. Together with his people, he went through the Great Patriotic War, after the victory he returned to Leningrad, finished his studies, taught at the university, and became a writer. But, perhaps, he could not fully get used to life in a big city. That is why most of the author's works are devoted to rustic theme.
The writer Abramov notes the special beauty of the horse, admires this kind and intelligent animal. However, this admiration is mixed with a feeling of pity for the horses and even guilt before them, because the life of a village horse is tragic: embossed daughter. They were constantly languishing, dying of thirst, they were pestered by midges - on calm evenings, a mosquito and midge swirled over them in a gray cloud, a cloud.
In general, what can I say, life was not easy for the poor.”
Fedor Abramov in the story endows the horse with human traits. Together with the narrator, the collective farm horse Ryzhukha becomes the main character of the story. “Still, Ryzhukha stood out favorably among her relatives. Some of them were simply not worth looking at. Some kind of sloppy, drooping, with a faded, tattered skin, with festering eyes, with some kind of dull humility and doom in their eyes, in their whole downcast, hunched figure. But Ryzhukha is not. The redhead was a pure filly, and besides, she still retained her cheerful, cheerful character, the agility of youth.
To emphasize the inseparable connection between man and animal, Abramov shows friendship between them, and even uses artistic exaggeration. The redhead is endowed with the ability to speak. And this gift manifests itself at the moment when the horse is the hardest, she is tormented by the question: “Were there times when we, horses, lived well?”
This question made the narrator think. At this stage of the story, the gift of Abramov the publicist is clearly manifested. Here narration is replaced by reasoning:
“There were, there were such times, and there were still recently, in my memory, when a horse was breathed and lived, when it was fed the most delicious piece, and even the last loaf of bread - we somehow survive, we are even with a hungry we will wash our belly until the morning. We are not used to. And what was done in the evenings, when the horse, which had worked during the day, entered its alley! The whole family, from young to old, ran out to meet her, and how many affectionate, how many grateful words she listened to, with what love they unharnessed her, nursed her, took her to a watering place, scraped, cleaned! And how many times during the night the owners got up to check on their treasure!
note for this passage. It clearly shows journalistic style features:
emotionality is conveyed by exclamatory sentences;
Abramov talks about the role of the horse in the life of the village:"The main support and hope of all peasant life, because without a horse - nowhere: neither to go to the field, nor to the forest."
Rice. 2. Photo. Skate on the roof of the house ()
“The first toy of a peasant son is a wooden horse. The horse looked at the child from the roof of his father’s home, about the hero horse, his mother sang and told about the sivka-burka, he decorated with a horse, growing up, a spinning wheel for his betrothed, he prayed to the horse - I don’t remember a single goddess in my village without Egor the Victorious . And almost every porch met you with a horseshoe - a sign of the long-awaited muzhik happiness - (Fig. 2).
In the author's discussion of the great role of the horse in the life of a Russian person, the reader is struck by yet another tragic memory. About the horse Karka, who at one time, like the sun, illuminated the hard life of the early orphaned large Abramov family. This horse, like other horses, went through the war together with the people and did a lot for the Victory.
“Your Karka is gone,” the old groom answered me. - On the forest front, he gave his soul to God. Do you think only people fought in this war? No, the horses also forged the victory, and how…”
In his discussion of horses, Abramov recalls the work of A.S. Pushkin's song about the prophetic Oleg. In this poem, the horse, a faithful companion of the prince, is unjustly subjected to exile and oblivion. In the same way, the former respect for horses has been unfairly forgotten. And now they look at us with hope and prayer from the pages of the story:
“...Redhead still looked at me with hope, with a plea. And other horses watched. And it seemed that the whole space in the meadow, under the mountain, was all one horse's eyes. Everyone, both living, on a leash, and those who had not been there for a long time - the whole horse kingdom, living and dead, was now asking me.
The author was unable to explain why happy times for horses are over. But you and I understand that the reason is that a person has ceased to need a horse. Combines and tractors work on collective farm fields, tanks have replaced cavalry in the army. Instead of carriages - cars and trains. A man learned to do without a horse, and the animal immediately lost attention, care, love.
At one time, the French writer Antoine de Saint-Exupery in the fairy tale "The Little Prince" wrote a phrase that became winged: "We are responsible for those we have tamed" . Following Exupery, Abramov also reminds us of the responsibility for all life on Earth, because if a person is the king of nature, then all his subjects should feel under his protection.
Bibliography
- Korovina V.Ya. Didactic materials on literature. 7th grade. — 2008.
- Tishchenko O.A. Homework in literature for grade 7 (to the textbook by V.Ya. Korovina). — 2012.
- Kuteynikova N.E. Literature lessons in grade 7. — 2009.
- Korovina V.Ya. Literature textbook. 7th grade. Part 1. - 2012.
- Korovina V.Ya. Literature textbook. 7th grade. Part 2. - 2009.
- Ladygin M.B., Zaitseva O.N. Textbook-reader on literature. 7th grade. — 2012.
- Kurdyumova T.F. Textbook-reader on literature. 7th grade. Part 1. - 2011.
- FEB: Dictionary of literary terms ().
- Dictionaries. Literary terms and concepts ().
- Explanatory dictionary of the Russian language ().
- Abramov F.A. “What horses cry about” ().
- Abramov F.A. Biography and creativity ().
Homework
- Read the story of F.A. Abramov "What horses cry about." Plan your story.
- What moment of the story is the climax?
- What makes the author think?
- What works on a similar topic have you read?
- Can a similar story be addressed to other animals? What? Justify the answer.
Fedor Abramov What do horses cry about
Every time when I went down from the village extremity to the meadow, I seemed to find myself again and again in my distant childhood - in the world of fragrant herbs, dragonflies and butterflies and, of course, in the world of horses that were grazing on a leash, each near its stake .
I often took bread with me and fed the horses, and if there was no bread, I would still stop near them, pat them in a friendly way on the back, on the neck, cheer me up with a kind word, ruffle their warm velvety lips, and then for a long time, almost all day, I would feel in the palm of your hand, an incomparable horse scent.
These horses evoked the most complex, most contradictory feelings in me.
They excited, delighted my peasant heart, gave the deserted meadow with rare tussocks and willow bushes their special - horse - beauty, and I could look at these kind and smart animals for minutes, hours, listen to their monotonous crunch, occasionally interrupted by a displeased snort , then with a short snore - dusty or inedible grass caught.
But most often these horses evoked in me a feeling of pity and even some kind of incomprehensible guilt before them.
The groom Mikolka, always drunk, sometimes did not show up to them day and night, and around the stake it was not like grass - the turf was gnawed and beaten black. They were constantly languishing, dying of thirst, they were pestered by midges - on calm evenings, a mosquito and midge swirled over them in a gray cloud, a cloud.
In general, what can I say, the life of the poor was not easy. And that's why I did my best to brighten up, to lighten their lot. And not only me. A rare old woman, a rare woman, finding herself in a meadow, passed by them indifferently.
This time I did not walk - I ran to the horses, for whom did I see today among them? My favorite Clara, or Ryzhukha, as I called her easily, in the old way, according to the custom of those times when there were no Thunders, no Ideas, no Victories, no Drummers, no Stars, but there were Karki and Karyukha, Funnels and Voronukhas , Gnedki and Gnedukhi are ordinary horses with ordinary horse names.
The redhead was of the same articles and the same bloodlines as the rest of the mares and geldings. From the breed of the so-called mesenok, horses are medium-sized, unsightly, but very hardy and unpretentious, well adapted to the difficult conditions of the North. And Ryzhukha got no less than her friends and comrades. At four or five years old, her back was already knocked down under the saddle, her belly sagged noticeably, and even the veins in her groins began to swell.
And yet Ryzhukha favorably stood out among her relatives.
Some of them were simply not worth looking at. Some kind of sloppy, drooping, with a faded, tattered skin, with festering eyes, with some kind of dull humility and doom in their eyes, in their whole downcast, hunched figure.
And Ryzhukha - no. The redhead was a pure filly, and besides, she still retained her cheerful, cheerful character, the agility of youth.
Usually, when she saw me descending from the corner, she would all tuck herself up, stretch out to the side, give her sonorous voice, and sometimes run around the stake as wide as the rope allowed, that is, make, as I called it, my welcoming circle of joy.
Today, Redhead, at my approach, did not show the slightest enthusiasm. She stood near the stake motionless, petrified, earnestly, as only horses can stand, and in no way, absolutely nothing, differed from the rest of the mares and horses.
“Yes, what about her? I thought anxiously. - Sick? Forgot me during this time? (Redhead was on a distant hayfield for two weeks.)
On the go I began to break off a large piece from the loaf - our friendship began with this, with top dressing, but then the mare completely puzzled me: she turned her head to the side.
Redhead, Redhead ... Yes, it's me ... I ...
I grabbed her by the thick gray-haired bangs, which I myself had cut three weeks ago - it completely clogged my eyes, pulled me to me. And what did I see? Tears. Large, bean-sized horse tears.
Redhead, Redhead, what's wrong with you?
The redhead silently continued to cry.
Well, well, you have grief, you have trouble. But can you tell me what's the matter?
We had an argument here...
Who has us?
We have horses.
Do you have a dispute? - I was surprised. - About what?
About horse life. I told them that there were times when we, horses, were pitied and taken care of more than anything in the world, and they laughed at me, began to mock me ... - and then Ryzhukha burst into tears again.
I did my best to reassure her. And this is what she finally told me.
On a distant mowing, from which Ryzhukha had just returned, she met an old mare, with whom she went for a couple in a horse-drawn mower. And this old mare, when it became completely unbearable for them (and the work there was hard labor, for wear and tear), began to cheer her up with her songs.
The literature of the Soviet era gave us many talented writers. Many of them wrote about the village, about the life of a simple peasant. In this article, we will try to compile a brief retelling of “What Horses Cry About,” a story written by F. A. Abramov.
about the author
In the twentieth century, the so-called village prose became widespread. She told about the fate of the peasants, touched upon problems that until that moment had not been so deeply covered in literature. One of the representatives of this trend was Fedor Alexandrovich Abramov. Before we begin a brief retelling of the story “What Horses Cry About,” it is worth telling about the author of this work himself.
The writer's life was truly difficult. In early childhood, he suffered the loss of his father. A large family was left with one mother. It seemed that they would never be able to get out of poverty. But his mother, a very brave and strong-willed woman, managed to improve her life and, together with her children, moved from the poor to the “middle peasants”.
The boy was able to finish primary school, while quite successfully. In middle and high school, he also unlearned, but later.
With the outbreak of war, he himself asked to go to the front. While participating in the fighting, he was wounded twice. Miraculously survived. He could no longer fight because of his wounds. But the writer did not waste time: he went to study at the Pedagogical Institute. Thus, after the war, he received a philological education and became a true professional in the literary field.
He did not stop there and soon graduated from graduate school with a dissertation.
Undoubtedly, in his works the main theme was the life of the Russian village. He knew firsthand about her. He described all the difficulties of the life of a simple peasant with incredible accuracy. Thanks to his creations, everyone was able to find out what problems worried the Russian peasant at that time.
Main character
Let's start a brief retelling of Abramov's "What Horses Cry About" with a description of the narrator himself. Before us is a village peasant who has lived all his life in his native side. He reminisces about his childhood when things were different. We learn that horses in the past were a real treasure in every family. Thanks to their work, the peasants survived in difficult times. Therefore, even as an adult, the main character does not forget these strong animals. Periodically, he goes to the meadow where they graze, and feeds these hard workers with bread. We can characterize our narrator as a good-natured and merciful person.
On one of these trips to the meadow, something unexpected happened. Our hero saw the familiar horse Ryzhukha crying. He wonders: what happened? After all, he takes care of her so carefully: he treats her with bread and even cut her bangs the other day so that they don’t get into her eyes. And then the reader is met with a surprise: the horse begins to speak with the narrator!
redhead
What did the filly say? A brief retelling of "What Horses Cry About" will continue with a description of her dialogue with the main character. The redhead learned from Zabava's old familiar horse that they used to live much better. It turns out that the horses were groomed and cherished. Everyone considered it his duty, first of all, to feed his worker - the horse. The owner himself could starve, but the horse - never. After all, it was they who helped feed the entire peasant family. And after a hard day's work, their pets were met by the whole family, cleaned, fed and watered.
After telling this story to other horses, Redhead was ridiculed. No one believed her, because they had not seen such a life and considered everything that was said a deception. Now everyone is waiting for the truth from the narrator: was there really such a bright time? The answer to this question will be given by a further brief retelling.
Why do horses cry?
The hero could not immediately tell the whole truth. He indulges in memories of his childhood and his beloved Karka. The narrator remembers the times when the symbol of the horse was in every house. A brief retelling of "What Horses Cry About" includes this episode. The first toy, decoration on the roofs, fairy tales - everything was about horses. They were respected and idolized, prayed to them. The horseshoe has long been the main symbol of good luck and success.
Even after returning from the war, the hero did not forget his favorite Karko. What a tragedy for him was the news that his horse is no more! A brief retelling of "What Horses Cry About" is supplemented by information that from that moment on, the author includes a different story in the work. This technique is called a story within a story.
Remembering the dear animal, the hero cannot believe in his death. And the details of his death completely horrify him. It turns out that until the last day of the war, Karko helped to survive and worked hard. But on the day of victory, he was sacrificed as the most goner in order to celebrate the end of the war.
The hero could not come to his senses for a long time and even looked for his remains. Of course, he couldn't find anything. But this story stuck in his memory for a long time, and it continues our brief retelling of "What Horses Cry About."
bitter ending
The protagonist recalled all this while the other horses were waiting for an answer to their question. And our narrator did not know what to tell them. On the one hand, yes, life was completely different, horses were valued and loved. And now everything has changed. Love and respect for horses has been replaced by soulless technology. A brief retelling of the story "What Horses Cry About" should certainly contain this key point. The car does not need to be spared and fed. Broke - fixed. No spirituality. Now the horses have found a replacement, and they have been forgotten. They are not as needed now as they used to be.
We have come to the point which will conclude with a brief retelling of What Horses Cry About. Not daring to tell the whole truth, the hero makes an indifferent look, as if calming the animals, and jokes that this matter cannot be sorted out without a can.
Outcome
Having fed his interlocutors with bread, he, putting his hands in his pockets, leaves the meadow with a carefree gait. But his behavior is feigned. He could not tell the whole truth, did not want to upset such dear animals to his heart.
A brief retelling of Abramov's "What Horses Cry About" will be incomplete if we do not describe the state of our hero when he left. He felt shame and his own worthlessness. All because he was very upset by such changes in the life of horses, but he could not tell them the whole truth.