Three higher educations, one of which is the Russian State University of Physical Education. : 5 dan Aikibudo, 3 dan Katori Shinto Ryu. He has been teaching martial arts since 1993. One of the best Aikibudo instructors in our country and beyond.
Aikibudo is a modern martial art that has absorbed thousands of years of experience in the martial traditions of Japan. Aikibudo is subtle and fine art; in its basis, in its expression and in its development, it relies on two inextricably linked elements - tradition and evolution. Tradition can be regarded as the source and historical basis of all modern system classes. Tradition is based on ancient art, the content, form and spirit of which must be preserved unchanged. Evolution is the expression of the martial art in development and in relation to real experience and environment.
The history of the creation of Aikibudo is inextricably linked with the name of the outstanding French Budo Master Alain Floquet.
Alan Floquet is one of the best European students of Sensei Minoru Mochizuki. In 1966, Alain Floquet became the technical director of the Yoseikan Aikido school in France. In 1973, together with his students, he created CERA (Cercle d`Etude de Recherche en Aiki et Kobudo - Aiki and Kobudo Study and Research Circle) in order to ensure the development of the concept of aikijutsu by Sensei Minoru Mochizuki. In 1978, Minoru Mochizuki, Director of the Aikido Section of IMAF - International Martial Arts Federation in Tokyo, awarded Master Alan Floque the 7th dan and Kyoshi degree, making him his direct representative as Aikido Teacher in Europe.
"..Aikibudo is the fruit of the evolution of war into the art of peace"Maitre Alan Floquet
So, yesterday on Saturday evening at the Moscow Martial Arts Center, in the Varshavka Sky building, where the international seminar is being held, demonstration performances dedicated to the twentieth anniversary of Aikibudo in Russia.
I apologize for the quality of most of the photos, the report turned out to be sudden, and the capabilities of mobile devices are limited. I also apologize if I missed something or made mistakes in terminology. Amendments write in the comments, registration is not required for this.
2. - one of the participants in the speech. Sergei is rarely seen in a gloomy mood.
3. Guests and participants of the seminar take their places on the podium. Last preparations.
The smallest
He got one of the main roles
acrobats
The performance of the children's group Morozova Svetlana is a dynamic and exciting spectacle.
16. In conclusion, Maitre Alan Floquet took the floor.
Simultaneous interpreter Mikhail is in the photo next to Mater. He has already become an integral part of our international seminars.
The master thanked all the speakers. He remained very pleased with the children's performance, noting that it is for them that the future of aikibudo is.
I remembered how aikibudo went to Russia. About what path has been traveled in these 20 years. And then I read my essay on what Aikibudo is. At the end there was this line:
"..Aikibudo is the fruit of the evolution of war into the art of peace"
17. Awards.
The maestro presented the Diploma for contribution to the development of Aikibudo in Russia to Tevis Alexander, President of the Interregional Aikibudo Federation.
Sensei Paul Patrick Armand Maitre Alan Floquet for his great contribution to the development of aikibudo was awarded the title "Kyosi" - this is a very high title in the world of martial arts. All these years it was Paul Patrick Armand who was and is the main curator of Aikibudo in Russia.
Another big event for Russian Aikibudo happened next. Master Alan Floquet awarded the title "Renshi" to the President of the Moscow Federation of Aikibudo and TSKSR
(abbreviated as Katori Shinto Ryu). Curiously, in Alan Floquet's book "Aikibudo", this word is used not only as the name of the school, but also very narrowly - as the name of the eponymous section of the school, there is also widespread use - as a synonym for the word Aiki-jutsu - that is, in relation to also to the Daito-ryu school, but not in relation to the schools of aikido (with the explanation that although the word aikibudo is often also called aikido in France, this use of the term is incorrect). At the same time, the French Wikipedia article also interprets this term broadly, referring it not only to the Floquet school, but also to Daito-ryu.
One of the sides of the school is the development of a technical arsenal for the needs of the army, special services and police.
Contrary to popular belief, the term "boo" does not mean "war", but "the power to maintain peace". Ai - harmony, unification, love, compassion Ki - life energy, spirit, strength Bu - courage, courage, militancy Do - path, road, go vital energy"," To walk the military path in harmony with life energy", "Cultivation of life energy by combining compassion and militancy", "Spirit of love on the path of the warrior", "Spirit of compassion on the path of the warrior".
The school section of the same name is based on aikido and aiki-jutsu, and the kobudo section is based on Tenshin Shoden Katori Shinto Ryu, from which kenjutsu (including fencing with two swords), bo-jutsu, naginatajutsu, iaijutsu, so-jutsu and shuriken-jutsu are taken. Alan Floquet's teachers were Sugino Yosho (menkyo kaiden shihan kawazaki Katori Shinto Ryu), Mochizuki Minoru (hanshi, 8-dan shizuoka Katori Shinto Ryu, menkyo, 10th dan, meijin Yoseikan) and Takeda Munemitsu (3rd Soke and 2nd th heir to Daito-ryu), which testifies not only to the high qualification of his teachers, but also to a direct transmission in the traditions of these schools.
The initial basic technique of aikibudo includes the following sections:
1. Moves ( Tai Sabaki), entries and unbalancing.
2. Insurance ( ukemi).
3. Attack technique - punching technique (Tsuki waza) and kicking (Gary waza); strikes are studied separately and in the form of short kata.
4. Basic exercises(Hojo undo) - breathing and energy pair exercises, correct body work.
5. Technique for release from grips ( Tae Walkers).
6. Technique of throws due to the movement of the partner ( Wa Ho Seishin- divine energy; somewhat reminiscent of Kokyu Nage in aikido).
7. Basic throwing technique ( Kihon Nage Vase), these are 7 techniques performed by partners in turn from one and the other hand strictly along the line - in the form of a kata.
8. Basic technique of control and retention ( Kihon Osae Vase), 6 techniques performed alternately in the form of a paired kata. The partner rolls over to the floor, a hold is made, which is performed exclusively with the legs with the designation of a finishing blow.
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See what "Aikibudo" is in other dictionaries:
Although the Founder himself sought to avoid the creation of different styles, nevertheless this happened. Ueshiba taught for over 40 years, during which time aikido evolved from the extremely hard Daito Ryu Aiki Jutsu to the "non-violently gentle" ... Wikipedia
Daitō ryū Aiki jūjutsu 大東流合気柔術 Takeda family name Takeda clan motto: Samurai of the Takeda family Fast as the wind Calm as a forest Furious as a fire Steadfast as a mountain Name of martial art (BI): Daito Ryu Aiki jujutsu Other names ... Wikipedia
Daitō ryū Aiki jūjutsu 大東流合気柔術 Takeda family name Takeda clan motto: Samurai of the Takeda family Fast as the wind Calm as a forest Furious as a fire Steadfast as a mountain Name of martial art (BI): Daito Ryu Aiki jujutsu Other names ... Wikipedia
Daitō ryū Aiki jūjutsu 大東流合気柔術 Takeda family name Takeda clan motto: Samurai of the Takeda family Fast as the wind Calm as a forest Furious as a fire Steadfast as a mountain Name of martial art (BI): Daito Ryu Aiki jujutsu Other names ... Wikipedia
Daitō ryū Aiki jūjutsu 大東流合気柔術 Takeda family name Takeda clan motto: Samurai of the Takeda family Fast as the wind Calm as a forest Furious as a fire Steadfast as a mountain Name of martial art (BI): Daito Ryu Aiki jujutsu Other names ... Wikipedia
Daitō ryū Aiki jūjutsu 大東流合気柔術 Takeda family name Takeda clan motto: Samurai of the Takeda family Fast as the wind Calm as a forest Furious as a fire Steadfast as a mountain Name of martial art (BI): Daito Ryu Aiki jujutsu Other names ... Wikipedia
Would you like to improve this article?: Correct the article according to Wikipedia's stylistic rules. Find and issue in the form of footnotes links to authoritative sources confirming what is written ... Wikipedia
- (jp. 井上鑑昭, Noriaki INOUE), was born in Japan on December 3, 1902 in the city of Wakayama, into a wealthy family with a business in foreign trade. Inoue was known by several names (this is a common practice in the east): Kitamatsumaru (Kitamatsumaru) - ... ... Wikipedia
A public organization uniting people involved in the Japanese martial art of Aikido in the Republic of Mari El (city of Yoshkar Ola). The history of aikido in the Republic of Mari El begins from the moment when two people, Eduard Krasnov and Igor Komyak, ... ... Wikipedia
A modern complex martial art created by Alain Floquet (fr. Alain Floquet) in 1980 in France on base of three Japanese schools: Yoseikan aikido, Daito-ryu Aiki-jujutsu and Tenshin Shoden Katori Shinto Ryu (abbreviated as Katori Shinto Ryu).
Aikibudo, like its original components, is classified as a "hard" school. Differences from the "soft" schools appear in the form of movements, which in Aikibudo are generally much shorter, simpler and more realistic.
In France, Aikibudo is effectively used in the army and police. The main hall where Alan Floquet's classes take place in Paris is located in the Police Department and belongs to Sports Association Police of Paris (fr. Association Sportive de la Police de Paris, ASPP)
Etymology
The name consists of four hieroglyphs with the following meanings:
Ai
"harmony, unification, love, compassion";
Key
"vital energy, spirit, strength";
Boo
"courage, bravery, militancy";
Before
"way, road, go."
Most often, Aikibudo is translated as: “The path of harmoniously uniting the warrior spirit and vital energy”, “Walking the martial way in harmony with vital energy”, “Cultivation of vital energy by combining compassion and militancy”, “Spirit of love on the path of a warrior” or “Spirit of compassion on the path of the warrior.
Story
Aikibudo was based on three schools of martial arts: Yoseikan aikido, Daito-ryu Aiki-jujutsu and Tenshin Shoden Katori Shinto Ryu.
The Daito-ryu style was created in the 11th century by master Minamoto no Yoshimitsu, an outstanding Japanese military leader. Towards the end of his life, he was appointed governor of the province of Kai, where one of his descendants founded the famous Takeda family, which actively created various fighting techniques. Its most famous representative was the famous commander Takeda Shingen.
By the end of the 19th century (the last years of the Edo period), the era of bloody wars between clans ended. Along with this, the process of disarming the samurai began. Then Mr. Saigo Tanomo (1830 - 1903), a kannushi (a person in charge of maintaining a Shinto shrine) and a samurai, decided to teach his techniques to non-members of his clan. One of them was Takeda Sokaku, who returned to the province of Aizu and studied aiki-jutsu techniques with master Tanomo. In 1898, he formalized the entire martial heritage and named it Daito Ryu Jujutsu, later renamed Daito-ryu Aiki-jujutsu, and, due to his outstanding skill, widely glorified him.
From 1920 to 1931, Takeda Sokaku taught his art to Morihei Ueshiba, who by 1942, based on his knowledge of Daito-ryu Aiki-jutsu, jujutsu and ken-jutsu, creates a new martial art - Aikido. In 1931, Minoru Mochizuki came to study with Morihei Ueshiba, who later played a huge role in popularizing aikido in France. In 1951 he was sent to Europe on an official cultural mission. For two and a half years, he introduced the art of his teacher and his achievements to Europeans, calling it "Aikido Jujutsu", thereby contributing to the development of the largest aikido community outside of Japan. Among his students was the young French judoka Jim Alcheik, who in 1954 followed his teacher to the Land of the Rising Sun and continued his studies at the Yoseikan dojo.
In 1958, Jim Alsheik, who returned from Japan, at the request of Minoru Mochizuki, officially showed Aikido Yoseikan in France and founded the French Federation of Aikido, Taijutsu and Kendo (FFATK). One of his assistants is Alan Floquet (born in 1938). In 1962, during the war for the independence of Algeria, Jim Alsheik dies. To secure the future of aikido jujutsu in France, Alain Floquet contacts Minoru Mochizuki, who sends his son Hiroo to Paris. Hiroo Mochizuki has been teaching Floque for two years. In 1966, Alan was appointed technical director of the Yoseikan Aikido school in France. In 1973 he created C.E.R.A. (French Center International de lAikibudo, "International Center for Aikibudo").
In 1978, Master Minoru Mochizuki awarded Alan the 7th dan and the title of Kyoshi, thereby recognizing his significant merits.
In 1980, Alan Floquet resumes relations with the base school and with the successor of Daito-ryu Aiki-jujutsu Takeda Tokimune, son of Takeda Sokaku. Based on his knowledge, his teaching style and practice in such styles as Yoseikan aikido, Katori Shinto-ryu and Aiki-jujutsu, Alan, having enlisted the full support of the master Mochijutsuki, decides to create his own school and calls it "Aikibudo".
On July 3, 1983, aikibudo merges with aikido to form the French Federation of Aikido, Aikibudo and Analogues as a joint discipline. Since then, thanks to the efforts of the master Alain Floquet, this art has continued to develop throughout the world.
Philosophy
Aikibudo is a martial art that incorporates the teachings of ancient Japanese martial arts schools. The philosophy of this combat system, based on the name, is a search for the meaning of being by the method of self-improvement and knowledge based on the comprehension of martial art. As in many other schools of martial arts, Aikibudo applies the principle of Aiki - the unification of energies, the unification of a person's inner abilities to achieve perfection.
In Aikibudo, there are many movements aimed at getting ahead of the enemy, the purpose of which is to stop a blow or grab at its first stage, when it has not yet gained maximum power.
Respect for the integrity of the partner is the main principle in the art of Aikibudo.
Both the attacker and the defender are referred to as "partners", not "opponents". During the development of techniques, the participants (attacker - tori, defender - uke) constantly change roles, due to which there is no such thing as a winner and a loser in the classroom, and, accordingly, there is no competition. However, there are randori (classic sparring) in Aikibudo, which allow for free sparring to practice techniques, test skills and develop fighting reflexes.
Belts and ranks
Depending on the qualifications of an aikibudoki, he can be awarded an apprentice (kyu) or master (dan) degree.
In total, there are 6 kyu in Aikibudo: the youngest level is the 6th kyu, the oldest is the 1st kyu.
The main belts (obi) used are white and black, but there may be differences depending on the country and the aikibudo federation. Wearing a black belt and hakama is only allowed for holders of 1st dan and above.
Raising the rank is possible by passing specialized tests. There is a program of required technical skills for each of the degrees, approved by International Federations Aikibudo. Some clubs add their own disciplines to the standard requirements. The new degree is awarded by the attestation commission conducting the examination. Black belt students are called yudansha.
The basic technique of aikibudo includes the following sections:
Etiquette and greetings
Like any other school of martial arts, aikibudo has its own set of rules and etiquette. Each lesson begins with the following steps:
Sitting position on the heels, the command "sit down";
shomen ni rei
A bow in the direction of somen (the front of the dojo, where the portrait of the founder of the school is installed);
sensei ni rei
Bow to sensei;
Back off ni ray
bow to each other;
Kiritsu
Rise command.
Hojo undo
Hojo undo - various training exercises. In these exercises, the correct work of the body is worked out in order to beat the partner's effort due to the correct and timely execution of body movements, without using physical force. Includes the following items:
Nigiri Kaeshi
Based on the movement of release from the grip of the wrist with two hands (Ryote Ippo Dori) followed by a similar grip on the partner's hand;
Neji Kaeshi
Includes release from the lock of the elbow of the straight arm and the transition to a similar lock of the partner's arm alternately in the repeated mode;
Oshi Kaeshi
Liberation from the strong grip of Ryote Dori (capture of both wrists) due to a powerful push towards the partner, accompanied by an energy release without interception or with the interception of his hands;
Zuppari
Blocking a powerful push at chest level due to oncoming movement;
Shinogi
Retraction of a direct punch to the face with the same hand, followed by an attack with the same hand.
Tai dogs
Tai sabaki ("body control") - moving the body. This section is divided into two parts: single movements and working with a partner (disequilibrium inputs). In single movements, a sense of balance and the ability to control your center of gravity in movement are mainly worked out. In working with a partner, it is necessary to learn, with the help of the correct and timely movement of the body, to win the partner's center of gravity, and due to this, to unbalance him.
The Tai Sabaki complex in Aikibudo looks like this:
Nagashi
Offset by turning to the side at 45 degrees to the line of attack of the opponent;
Offset to the side-forward at 45 degrees in parallel to the line of attack of the opponent;
O-irimi
Turnaround entry, parallel to the opponent's line of attack;
Hiraki
Offset step to the side;
Hickey
Moving back from the opponent.
ukemi
Ukemi - self-belay techniques. From the very first session, aikibook beginners are taught how to fall correctly before moving on to learning throwing techniques. Basic types of ukemi studied in aikibudo:
mae ukemi
Somersault forward;
Ushiro Ukemi
Somersault back;
Yoko Ukemi
Fall, or somersault, to the side.
Percussion technique
Striking technique in aikibudo is studied both as separate techniques of punches and kicks, and in the form of kata (a formalized sequence of movements related to the principles of waging a duel with an imaginary opponent or group of opponents). Blows can be delivered to various parts of the body, so the following terms are used to determine the direction:
Jodan
Upper level ( top part body, face)
Tudan
Medium level (usually the abdomen);
Gedan
Lower level (usually the level of the hips).
Tsuki vase
Tsuki vase - striking technique with hands. Includes:
Choku tsuki
Direct punch;
Kosi tsuki
A straight punch (or sword) strike from a reverse stance with a pronounced movement of the hips;
Hiki tsuki
Poke punch (or knife) with the movement of the hips in the opposite direction;
Jun uchi
Reverse slashing punch;
Hineri uchi
Elbow strike with twisting of the joint;
Gyaku tsuki
Reverse chopping punch with a turn of the hips in the opposite direction;
Omote yoko men uchi
Side chopping blow, which is applied from the side of the partner's face, i.e. from within;
ura yoko men uchi
Reverse side slash.
gary vase
Gary Waza - kicking technique. When performing kicks, it is necessary to pay great attention to the position of balance, since only one leg is the support during kicking. And just like in punches, you need to train to put your body weight into the punch.
Mahe Gary
Direct kick;
mawashi geri
Round kick;
ur mawashi geri
Reverse round kick;
Yoko geri
Side kick;
Ushiro geri
Kick back;
Hitsui geri
Knee strike;
Hiza geri
Knee to the head after a hold.
Kata
There are 3 shock kata in aikibudo:
Tsuki uchi no kata
Complex percussion technician hands;
Happoken kata
A complex of percussion techniques with hands in eight directions (happo - "eight");
Gary goho no kata
A complex of percussion techniques with legs in five directions (goho - "five directions").
Te walkers
Te walkers - liberation from captures. Aikibudo teaches the following gripping techniques:
Junte dori
Grabbing the wrist from the outside with an opposite hand;
Dosokute dori
Capturing the wrist from the inside with the same hand;
Gyakute dori
Capturing the wrist from the inside with an opposite hand;
Ryote dori
Grabbing both wrists from the outside;
Ryote ippo dori
Grasping the wrist with two hands;
sode dori
Capture of the sleeve above the elbow;
Ryosode dori
Capture with two hands by the sleeves at the elbow bend;
mae eri dori
Capture for a lapel of a jacket;
Muna dory
Capturing two lapels of the jacket with one hand;
Usira ryote dori
Grabbing both hands from the outside (hands close);
Ushiro uwate dori
Girth over the arms;
Ushiro shitate dori
Girth under arms;
Usira eri dori
Collar grip with one hand;
Usira katate dori eri sime
A choke hold with a simultaneous lock of the elbow of the outstretched arm.
Kihon Osae Vase
Kihon osae waza - basic technique of control and retention. This section contains basic principles holding the opponent. Kihon osae vase is a complex of 6 basic techniques, designed to overturn the enemy on the floor and immobilize him by grabbing the joint, performed alternately in the form of a paired kata.
Ushiro Hiji Kudaki
"Breaking the elbow", eversion of the elbow joint;
Robuse
Elbow fracture;
Kote Kudaki
Broken wrists;
Yuuki Chigae
"Cross without meeting", broken forearm;
Shiho Nage
Wrist fracture in four directions;
Mukae Daoxi
Throw back with a turn of the opponent's head in his direction.
Kihon nage vase
Kihon nage waza - a complex of 7 basic throwing techniques performed by partners in turn from one and the other hand strictly along a line in the form of a kata:
Mukae Daoxi
"Throw with an oncoming entrance", i.e. back with a turn of the enemy's head in his direction;
Shiho Nage
Throw by bending the opponent's arm back with simultaneous impact on the shoulder, elbow joints and hand;
Yuuki Chigae
Throw with a broken forearm;
Kote Gaeshi
Flip throw using a brush;
Tembin Nage
Throw pain effect on the elbow;
Hati Mawashi
Throw back by turning the head of the opponent in relation to his body;
Koshi Nage
Throw through the thigh.
Wa no seishin
Wa no seishin ("divine energy") implies the perfect interaction of partners. Here, pure movement is practiced without physical strength and pain effects. Requires great attention of both partners when working out the movement.
Randori - free fight, sparring. In the randori section, fluency in Aikibudo techniques is practiced in various situations against one or more partners, both unarmed and with weapons.
By the number of partners:
Ju no Randori
"Soft randori", one against one;
Futari no Randori
One against two;
Taninzu no Randori
One against several.
According to technical performance:
Buki Dori Randori and Emono Dori Randori
Randori against armed partners;
Jiyu no Radnori
Free style randori;
Futari Dori Randori
Randori from double capture (simultaneous capture by two opponents);
Go no Randori
Randori after the attack;
Ippon Dori Randori
Randori one against one opponent (from grips);
Kakari Randori
One partner attacks continuously, the other defends.
Weapon
The aikibudo program includes training in the use of various types of weapons, collected under the term kobudo. Most of them are the legacy of the Katori Shinto Ryu school.
The practice of aikibudo includes working with the following types of weapons:
Long sword (bokken, katana, iaito);
Short sword (kodachi, wakizashi, bo-kodachi);
- Joint use of two swords (ryoto);
- Stick (bo, tonfa);
-Dagger (tanto);
- Spear (yari);
- Halberd (naginata).
In Alan Floquet's book "Aikibudo", this name is used not only as a designation of the school, but also very narrowly - as the name of the section of the same name. There is also a widespread use as a synonym for the word Aiki-jutsu, that is, in relation to the Daito-ryu school, but not in relation to the schools of aikido (with an explanation that although the word aikibudo, in France, aikido is also often called, similar term is incorrect).
