Slavic Goritskaya wrestling. Restoration of the Slavic world outlook. Reasons for the degradation of the Slavic peoples. Violation of the rules and prohibited equipment

Slavic-Goritskaya wrestling

Slavic-Goritskaya wrestling- view combat sports and a complex martial art consisting of four kinds and twelve basic styles united by a common name.

Slavic-Goritsa wrestling is an author's system developed by A. K. Belov on the basis of the combat and competitive traditions of the Eastern Slavs and a number of European martial arts. The main task of the system is to prepare a versatile fighter capable of fighting according to any rules and in any conditions, against several opponents (including armed ones), etc.

Basic styles

Radogora- fighting style with hands, incorporating various styles of Russian fisticuffs and elements of Soviet boxing; strikes are applied to any part of the body (including the inguinal region, the base of the skull, spinal column); the fighter strikes with his fist, palm (bowl), forearm (ratovisch), elbow, and beats with a twist of the body;
Hem- a style of kicking, in which the hands perform only defensive functions. Ways of movement and strikes are borrowed from the battle dances of the Slavs, from the historical schools of Russian hand-to-hand combat and European martial arts (chasson, savate, puring, folderskal). Blows are applied mainly with the foot to any part of the body, and therefore shoes with a dense sole and a protruding welt are recommended;
rocker(proportional style) - a combat system in which a high rate of movement is achieved by successive strikes of the arms and legs (leg-arm-arm-leg) due to inertia and special plasticity, which saves the strength of the fighter;
Way of life- fusion of several types of wrestling in the stance (the fighter must knock the opponent down without moving to the stalls), the puring technique is used;
Pozyom(fight on the ground) - a style in which creases, flips, holds, painful and suffocating actions, as well as various blows in the prone position are used;
Svilya(combat gymnastics) - a system of techniques that allow you to evade blows and captures of the enemy. There are three levels of sli: avoiding blows; avoiding blows and counterattack; imposing a certain tactics of behavior on the enemy;
Heel(style of unplanned situations) - develops combat skills in specific conditions: in the dark, in tight quarters, on slippery surfaces, with a numerical superiority of the enemy and in a limited space;
Breast- a method of organizing a battle with a physically superior (in height, weight, strength) enemy;
Flexible changeovers(anti-system) - maneuvering and tactical tricks, taking into account the stereotypical actions of the enemy using one or another type of martial arts;
"S-42"- a kind of Slavic-Goritsa wrestling, adapted to real combat conditions;
fire fight- combat with the use of firearms;
Blade fight- combat system based on knife triathlon.

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See what the "Slavic-Goritskaya wrestling" is in other dictionaries:

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Books

The last secret of Varangian Rus. Myths and truth about Russian civilization, Selidor (Alexander Belov). " True story The Varangians-Rus are more interesting than any fantasy, "says the author of this brightly written book. With the audacity of a pioneer, he proves that the very Varangians, whom our ancestors ...

Andrey Gerashchenko

SLAVYAN-GORITSKY WRESTLING

Now, when all kinds of schools and styles are widespread everywhere martial arts- karate, viet vo dao, jiu-jitsu, taekwondo, wushu and other less well-known areas, to the general public, in fact, such an original and unique type of martial arts as Slavic-Goritsa wrestling, which is a single technical fusion of various elements, remains unknown Russian competitive culture. In pre-Christian Russia, fights were integral part pagan rite "Trizna". The burial mound was called "goritsa", hence the modern name of the struggle. There is also a long tradition of Russian fisticuffs when they converged wall to wall and started talking to each other, offering to measure their strength on their fists.

RUSSIAN MARTIAL ART

In 1986, Alexander Belov founded the modern school of Slavic-Goritsa wrestling, giving organizational and technical completeness to the Russian combined style. The basis of the Slavic-Goritsa wrestling, in addition to the ritual Slavic-ethnographic direction "Trizna", was assault, classical, total and military-applied battles. The latter includes overcoming an obstacle course, a fight with knives. The most important and, perhaps, the most significant difference between the Slavic-Goritsa wrestling is its ideology - a special mentality based on the traditions of the native land. Martial arts are built on defensive tactics, at work as the second number. Slavyano-Goritskaya school, on the contrary, teaches to work ahead of the curve, to hit with the first number. In real clashes, the ability to get ahead of the enemy, the ability to strike first is often the key to success and victory. In martial arts, much attention is paid to the development of combat stances, actions with bare feet or feet dressed in light shoes. This is related to both warm climate the countries of the East, where only light shoes are worn, and with the conditions of the mountains, where a rigid stance is an integral element of martial arts, providing balance and saving the fighter from falling off a cliff. We have completely different conditions - a cold climate, soft, often swampy soil. All this inevitably leaves its mark on the fighting technique. The blow in the Slavic-Goritsa wrestling is designed for a foot in shoes. Accordingly, such blows require not so much stretching, so popular in martial arts, as the mobility and dynamism of the joints. Most of the technique of the Slavic-Goritsa wrestling is a planned attack, built on an explosion of emotions, an adrenaline rush. Similar psychological conditions are present in a real war, in hot spots. It is no coincidence that many units of special forces and OMON are studying Slavic-Goritsa wrestling - some techniques literally save the lives of fighters. Slavic-Goritsa wrestling is based on a highly mobile style, the movements and techniques of which are as close as possible to human and natural nature. The very energy of struggle is drawn from Vedic things, being in many respects akin to the energy of a fire, mudflow, earthquake. It is no coincidence that, in addition to the purely technical side of the battle, the school of Slavic-Goritsa wrestling pays great attention to moral and strong-willed training, the formation of a warrior not only on the battlefield, but also in the spiritual sphere of life, cultivating the best human qualities - the ability to fight, self-sacrifice, stamina and courage. Slavic-Goritsa wrestling has received the main distribution on the territory of three Slavic Russian states - in Russia, Belarus and Ukraine. But, despite its organizational youth, great interest in our national martial arts school has already been shown in Italy, France and even Japan.

YURI KHARKEVICH

In Belarus, this unique type of martial arts is directly associated with the name of Yuri Anatolyevich Kharkevich, who created the club of ancient Slavic martial arts "Bersek" in Vitebsk in 1991. But about the club a little later - first, let's talk about its creator. Yuri Kharkevich was born in 1961 in Vitebsk. He studied at school N16 in the picturesque green area of Luchosa, through which the river of the same name flows. Since childhood, Yuri was seriously fond of sports, especially acrobatics, so it is not surprising that already in 1977 he became a master of sports of the USSR in sports acrobatics. In 1982, he was part of the first graduation of the faculty physical education Graduated from the Vitebsk Pedagogical Institute. Sports training and excellent health came in handy immediately - after graduating from the institute, Yuri was called up for military service and sent to the reconnaissance regiment of the guards of the headquarters of the Group of Soviet Forces in Germany. Here he had his first truly serious acquaintance with martial arts and hand-to-hand combat. In 1984, after demobilization, Kharkevich got a job at the DOSAF driving school. Then there was FOK, SDUSHORN2 and, finally, a new return to the army - five years of extra-long service in the rank of ensign. I also had a chance to visit the radioactive zone as a liquidator at the Chernobyl nuclear power plant. Probably, all this developed such personal qualities as courage, courage, resourcefulness. Kharkevich jumped with a parachute, flew a hang-glider, loves spearfishing very much, swims in the ice hole in winter. Once, in one sitting, I traveled 400 kilometers on a motorcycle. In general, there is a desire to realize their inner need to be a warrior and a real man. In addition, Yuri is a good family man. His wife, Tatyana Vasilievna, works in the research sector of the Voronezh State University, the eldest daughter, Alena, is a student of the Voronezh State University, and the youngest, Marina, is a schoolgirl.

"BERSEC"

Now it's time to talk about the Bersek club itself. First, about the title. "Bersek" is an experienced warrior, a grunt who is absolutely unaware of the fear of death. The word is very ancient and in its origin, therefore, there are several options for its pronunciation: "bersek", "berserk", "berserker", "borsek". The Russian land keeps many legends about the legendary Russian heroes-berseks: Olbeg Ratiborich, Ragday, Demyan Kudelevich, voivode Vladimir Svyatoslavovich, nicknamed "Wolf Tail", fist fighter Vasily Buslaev, Evpatiy Kolovrat. According to legend, Evpatiy Kolovrat fought so desperately with the Mongol-Tatars that a whole mountain of enemy corpses formed around him. The invaders could not take him in an open cut and threw stones from stone-throwing machines. Batu, not inclined to excessive nobility, was so struck by the mysterious invulnerability and strength of the Russian hero that he ordered to dig him out from under the stones, take the body home to Evpaty and bury him with honors. In general, the feeling of invulnerability of berserkers often arose among enemies when they met face to face in battle. Berserkers took off their chain mail and went into the thick of the battle, terrifying the enemy with their very appearance. There is no doubt that all these amazing, epic examples of our history have become a good example for those who began to revive the original Russian traditions of martial arts, which formed the basis of the revived Slavic-Goritsa wrestling. There is a very special atmosphere in the club itself - Kharkevich and his associates work in "scattering energy", the main meaning of which is that the energy absorbed by the students should come from the teacher, like the rays of the sun. In the relationship between the student and the teacher there is a serious difference from the corresponding relationship in the East. There is a tradition there that the student can only be like a teacher and rarely reaches the level of his mastery. In the Slavic-Goritsa wrestling, on the contrary, it is bad if the student has not surpassed his teacher. The more the coach spends strength and energy, the more he will return and be rewarded. Evil, unfriendly people do not stay in the club. All members of the club, regardless of age and skill, are considered "brothers". Of course, experienced famous fighters have some privileges, but in any case they remain "brothers" - in extreme cases, someone is "senior", someone is "junior". There is one important, iconic principle in the Slavic-Goritsa wrestling - in the duel "do not regret, but take care", that is, in battle everyone works seriously, but you need to protect the loser from serious injuries, you can not finish off the fallen. A random person will not take root here. If he does not fit into the traditions of the club, simply no one will want to work with him in sparring. No one will kick him out - he will just leave on his own. Now in Vitebsk about 100 people are engaged in the Slavic-Goritsa wrestling, and in just a few years at least 1000 athletes have passed the school of courage. Unfortunately, there are no normal gyms and premises yet - basically you have to huddle in small training halls. You can start to engage in Slavic-Goritsky wrestling at the age of five. Kharkevich's daughter began to do this even at three. There is no upper age limit as such. But there is simply no way to work with people over 40-45 years old, since the small gyms used by the Bersek club are designed for training methods with younger athletes. Life has proved the special value of the techniques and philosophy of the Slavic-Goritsa struggle in the modern world of continuous local wars. After all, the Slavic-Goritsky style is operational thinking and struggle (and not only physical, but also spiritual). It is no coincidence that the paratroopers of the Ryazan airborne school, the fighters of the Moscow transport OMON, the Odintsovo special forces guarding the missile troops, and the Chirchik special forces began to engage in the Slavic-Goritsa struggle.

SPORT COMPONENT

Like every type of martial arts, the Slavic-Goritsa wrestling has its own titles and titles. If in the East the degree of mastery is determined by a belt, here it is by embroidery. 1st rank - "scalking birds" (approximately corresponds to 1st rank in other sports), 2nd category - "Turkish" (master, master of sports international class), 3rd category - "horseman" (the owner of this embroidery is a professional), 4th category - "prince" (Honored Master of Sports, coach). The very definition of categories is carried out according to the results of tournaments and rating fights, and at this stage in the development of the Slavic-Goritsa wrestling, all this is just entering the official level. There is another problem here - the Slavic-Goritsa wrestling is not included in the official classifier of sports in any Russian Federation, nor in Belarus, which does not contribute to the normal development of this type of martial arts. The federation of the Slavic-Goritsa wrestling has not yet been registered. Some areas were more fortunate - adherents of sword fighting and sword fighting managed to register a federation of historical fencing. Despite this, Kharkevich and the club "Bersek" have been holding interstate tournaments in Slavic-Goritsa wrestling for the prizes of the Vitebsk regional newspaper "Narodnaya Slova" for five years in a row, numerous demonstration performances at the International Festival of Arts "Slavianski Bazaar", at the Republican "Festival of Author's Song" , perform complex elements of stunt tricks, act in historical films, and participated in the celebration of the 850th anniversary of the Russian capital.

IN MOSCOW

I would like to say a special word about Moscow. Immediately upon arrival, the heavily built guys from Bersek were approached by law enforcement officers right at the station and asked about the contents of heavy bags. The guys honestly answered that there were copies of ancient Russian weapons, helmets and chain mail, but there was no permission for them yet. Permission had to be expected for two days, and all this time the weapons and chain mail were under the protection of the police. But this did not spoil the impressions of the guests from Belarus. They were entrusted to present their skills right on Red Square as part of the finals of the intellectual game for schoolchildren "My Moscow", and then there was participation in the carnival on Theater Square. The performance went off with a bang, and as a keepsake, the athletes were photographed with the famous Russian TV presenter Valdis Pelsh.

BEST SPORTSMEN

The Moscow trip also had a purely sporting side - four athletes of the Bersek club - Maxim Grigorovich, Igor Kholod, Vadim Volchik and Sergey Koval took part in the Slavic-Goritsa wrestling competition and passed the exam for the first technical level, which gives the right to participate in international competitions. rank. Here is the time to say a few words about the best Slavic mountaineers trained by Kharkevich. This is Igor Kholod (Ruzhan), who won second place in assault combat at the Russian Championship in 1998, second place in the Belarus Cup in Wushu (Sanda), a multiple winner of Slavic-Goritsa wrestling tournaments in Belarus. Maxim Grigorovich (Ivko) - took second place at the famous international Viet vo dao tournament in Vitebsk (2000), was the winner of Slavic-Goritsa wrestling tournaments in Belarus. Alexey Yanishin - winner international tournament in Viet vo dao and martial arts in Vitebsk (2000) among juniors. Zakhar Kazakov - champion of Belarus in 2000 in wushu among juniors, in 2003 - silver medalist of the championship of Belarus in wushu among adults in 2003, champion of Belarus in 2001 in hand-to-hand combat, multiple winner of various competitions within the Republic in Slavic-Goritsa wrestling, wushu and hand-to-hand combat. Sergei Koval (Breslav) took third place in the Prestige Cup in Slavic-Goritsa wrestling in 1998, champion Vitebsk region 2001 in hand-to-hand combat among special forces, winner of various competitions in Slavic-Goritsa wrestling in Belarus. Vyacheslav Bykovsky (Vuslav) took second place in youth fights in 1993, third place in the Volga Cup in 1994, is a multiple winner of the Slavic-Goritsa wrestling tournament in Belarus. The list is quite impressive and new successes and victories await the pupils of Kharkevich. Kharkevich has one dream - to build a cottage with a gym for sportsmen, with a playground for children, a place for classes with pensioners and, of course, a bathhouse where one could do herbal medicine, make herbal teas and infusions, attract doctors, use the Slavic health improvement system. But it's not so simple - everything needs a lot of money. I don’t know if Yuri Kharkevich will build a cottage and a bathhouse, but I’m sure of something else - it is thanks to such people, real passionaries, that the Russian world is still holding on and standing. And the Slavic-Goritsa region (I really want to believe it) has a worthy and glorious future.

The essay is devoted to the development of the Slavic-Goritsa wrestling in Vitebsk by Yu.A.Kharkevich. Published in the Belarusian media (no exact data).

Andrey Gerashchenko

SLAVYAN-GORITSKY WRESTLING

Now, when all sorts of schools and styles of martial arts - karate, viet vo dao, jiu-jitsu, taekwondo, wushu and other less well-known areas are widespread everywhere, such an original and unique type of martial arts as Slavic-Goritsa wrestling, which is a single technical fusion of various elements of Russian competitive culture.

In pre-Christian Russia, fights were an integral part of the pagan rite “Trizna”. The burial mound was called “goritsa”, hence the modern name of the struggle.

The long tradition of Russian fisticuffs is also known, when wall to wall converged and began to talk to each other, offering to measure their strength on their fists.

RUSSIAN MARTIAL ART

The most important and, perhaps, the most significant difference between the Slavic-Goritsa wrestling is its ideology - a special mentality based on the traditions of the native land. Martial arts are built on defensive tactics, at work as the second number. Slavyano-Goritskaya school, on the contrary, teaches to work ahead of the curve, to hit with the first number. In real clashes, the ability to get ahead of the enemy, the ability to strike first is often the key to success and victory.

In martial arts, much attention is paid to the development of combat stances, actions with bare feet or feet dressed in light shoes. This is due both to the warm climate of the countries of the East, where only light shoes are worn, and to the conditions of the mountains, where a rigid stance is an integral element of martial arts, providing balance and saving the fighter from falling off a cliff.

We have completely different conditions - a cold climate, soft, often swampy soil. All this inevitably leaves its mark on the fighting technique. The blow in the Slavic-Goritsa wrestling is designed for a foot in shoes. Accordingly, such blows require not so much stretching, so popular in martial arts, as the mobility and dynamism of the joints.

Most of the technique of the Slavic-Goritsa wrestling is a planned attack, built on an explosion of emotions, an adrenaline rush. Similar psychological conditions are present in a real war, in hot spots. It is no coincidence that many units of special forces and OMON are studying Slavic-Goritsa wrestling - some techniques literally save the lives of fighters.

Slavic-Goritsa wrestling is based on a highly mobile style, the movements and techniques of which are as close as possible to human and natural nature. The very energy of struggle is drawn from Vedic things, being in many respects akin to the energy of a fire, mudflow, earthquake. It is no coincidence that, in addition to the purely technical side of the battle, the school of Slavic-Goritsa wrestling pays great attention to moral and strong-willed training, the formation of a warrior not only on the battlefield, but also in the spiritual sphere of life, cultivating the best human qualities - the ability to fight, self-sacrifice, stamina and courage.

Slavic-Goritsa wrestling has received the main distribution on the territory of three Slavic Russian states - in Russia, Belarus and Ukraine. But, despite its organizational youth, great interest in our national martial arts school has already been shown in Italy, France and even Japan.

YURI KHARKEVICH

In Belarus, this unique type of martial arts is directly connected with the name of Yuri Anatolyevich Kharkevich, who created the club of ancient Slavic martial arts “Bersek” in Vitebsk in 1991. But about the club a little later - first, let's talk about its creator.

Yuri Kharkevich was born in 1961 in Vitebsk. He studied at school N16 in the picturesque green area of Luchosa, through which the river of the same name flows. Since childhood, Yuri was seriously fond of sports, especially acrobatics, so it is not surprising that already in 1977 he became the USSR master of sports in sports acrobatics. In 1982, as part of the first graduation of the Faculty of Physical Education, he graduated from the Vitebsk Pedagogical Institute.

Sports training and excellent health came in handy immediately - after graduating from the institute, Yuri was called up for military service and sent to the reconnaissance regiment of the guards of the headquarters of the Group of Soviet Forces in Germany. Here he had his first truly serious acquaintance with martial arts and hand-to-hand combat.

In 1984, after demobilization, Kharkevich got a job at the DOSAF driving school. Then there was FOK, SDUSHORN2 and, finally, a new return to the army - five years of extra-long service in the rank of ensign. I also had a chance to visit the radioactive zone as a liquidator at the Chernobyl nuclear power plant.

Probably, all this developed such personal qualities as courage, courage, resourcefulness. Kharkevich jumped with a parachute, flew a hang-glider, loves spearfishing very much, swims in the ice hole in winter. Once, in one sitting, I traveled 400 kilometers on a motorcycle.

In general, there is a desire to realize their inner need to be a warrior and a real man. In addition, Yuri is a good family man. His wife, Tatyana Vasilievna, works in the research sector of the Voronezh State University, the eldest daughter, Alena, is a student of the Voronezh State University, and the youngest, Marina, is a schoolgirl.

"BERSEC"

Now it's time to talk about the Bersek club itself. First, about the title. “Bersek” is an experienced warrior, a grunt who is absolutely unaware of the fear of death. The word is very ancient and in its origin, therefore, there are several options for its pronunciation: “bersek”, “berserk”, “berserker”, “borsek”.

The Russian land keeps many legends about the legendary Russian heroes-berseks: Olbeg Ratiborich, Ragday, Demyan Kudelevich, the voivode of Vladimir Svyatoslavovich, nicknamed “Wolf Tail”, fist fighter Vasily Buslaev, Evpatiy Kolovrat. According to legend, Evpatiy Kolovrat fought so desperately with the Mongol-Tatars that a whole mountain of enemy corpses formed around him. The invaders could not take him in an open cut and threw stones from stone-throwing machines. Batu, not inclined to excessive nobility, was so struck by the mysterious invulnerability and strength of the Russian hero that he ordered to dig him out from under the stones, take the body home to Evpaty and bury him with honors.

In general, the feeling of invulnerability of berserkers often arose among enemies when they met face to face in battle. Berserkers took off their chain mail and went into the thick of the battle, terrifying the enemy with their very appearance.

There is no doubt that all these amazing, epic examples of our history have become a good example for those who began to revive the original Russian traditions of martial arts, which formed the basis of the revived Slavic-Goritsa wrestling.

There is a very special atmosphere in the club itself - Kharkevich and his associates work in the “energy of dispersion”, the main meaning of which is that the energy absorbed by the students should come from the teacher, like the rays of the sun.

In the relationship between the student and the teacher there is a serious difference from the corresponding relationship in the East. There is a tradition there that the student can only be like a teacher and rarely reaches the level of his mastery. In the Slavic-Goritsa wrestling, on the contrary, it is bad if the student has not surpassed his teacher.

The more the coach spends strength and energy, the more he will return and be rewarded.

Evil, unfriendly people do not stay in the club. All members of the club, regardless of age and skill, are considered “brothers”. Of course, experienced, well-known fighters have some privileges, but in any case they remain “brothers” - in extreme cases, someone is “senior”, someone is “junior”.

In the Slavic-Goritsa wrestling there is one important, iconic principle - in the duel “do not regret, but take care”, that is, in battle everyone works seriously, but you need to protect the loser from serious injuries, you can not finish off the fallen.

A random person will not take root here. If he does not fit into the traditions of the club, simply no one will want to work with him in sparring. No one will kick him out - he will just leave on his own.

Now in Vitebsk about 100 people are engaged in the Slavic-Goritsa wrestling, and in just a few years at least 1000 athletes have passed the school of courage. Unfortunately, there are no normal gyms and premises yet - basically you have to huddle in small training halls.

You can start to engage in Slavic-Goritsky wrestling at the age of five. Kharkevich's daughter began to do this even at three. There is no upper age limit as such. But there is simply no way to work with people over 40-45 years old, since the small gyms used by the Bersek club are designed for training methods with younger athletes.

Life has proved the special value of the techniques and philosophy of the Slavic-Goritsa struggle in the modern world of continuous local wars. After all, the Slavic-Goritsky style is operational thinking and struggle (and not only physical, but also spiritual). It is no coincidence that the paratroopers of the Ryazan airborne school, the fighters of the Moscow transport OMON, the Odintsovo special forces guarding the missile troops, and the Chirchik special forces began to engage in the Slavic-Goritsa struggle.

SPORT COMPONENT

The very definition of categories is carried out according to the results of tournaments and rating fights, and at this stage in the development of the Slavic-Goritsa wrestling, all this is just entering the official level. There is another problem here - the Slavic-Goritsa wrestling is not included in the official classifier of sports either in the Russian Federation or in Belarus, which does not contribute to the normal development of this type of martial arts. The federation of the Slavic-Goritsa wrestling has not yet been registered. Some areas were more fortunate - adherents of sword fighting and sword fighting managed to register a federation of historical fencing.

Despite this, Kharkevich and the club “Bersek” have been holding interstate tournaments in Slavic-Goritsa wrestling for the prizes of the Vitebsk regional newspaper “Narodnaye Slova” for five years in a row, numerous demonstration performances at the International Festival of Arts “Slavianski Bazaar”, at the Republican “Festival of Author's Song” , perform complex elements of stunt tricks, act in historical films, and participated in the celebration of the 850th anniversary of the Russian capital.

IN MOSCOW

I would like to say a special word about Moscow. Immediately upon arrival, the strong-built guys from “Bersek” were approached right at the station by law enforcement officers and asked about the contents of heavy bags. The guys honestly answered that there were copies of ancient Russian weapons, helmets and chain mail, but there was no permission for them yet. Permission had to be expected for two days, and all this time the weapons and chain mail were under the protection of the police.

But this did not spoil the impressions of the guests from Belarus. They were entrusted to present their skills right on Red Square as part of the finals of the intellectual game for schoolchildren “My Moscow”, and then there was participation in the carnival on Theater Square. The performance went off with a bang, and as a keepsake, the athletes were photographed with the famous Russian TV presenter Valdis Pelsh.

BEST SPORTSMEN

The Moscow trip also had a purely sporting side - four athletes of the Bersek club - Maxim Grigorovich, Igor Kholod, Vadim Volchik and Sergey Koval took part in the Slavic-Goritsa wrestling competition and passed the exam for the first technical level, which gives the right to participate in international competitions. rank. Here is the time to say a few words about the best Slavic mountaineers trained by Kharkevich. This is Igor Kholod (Ruzhan), who won second place in assault combat at the Russian Championship in 1998, second place in the Belarus Cup in Wushu (Sanda), a multiple winner of Slavic-Goritsa wrestling tournaments in Belarus. Maxim Grigorovich (Ivko) - took second place at the famous international Viet vo dao tournament in Vitebsk (2000), was the winner of Slavic-Goritsa wrestling tournaments in Belarus. Aleksey Yanishin - winner of the international tournament in Viet vo dao and martial arts in Vitebsk (2000) among juniors. Zakhar Kazakov - champion of Belarus in 2000 in wushu among juniors, in 2003 - silver medalist of the championship of Belarus in wushu among adults in 2003, champion of Belarus in 2001 in hand-to-hand combat, multiple winner of various competitions within the Republic in Slavic-Goritsa wrestling, wushu and hand-to-hand combat. Sergey Koval (Breslav) took third place in the Prestige Cup in Slavic-Goritsa wrestling in 1998, champion of the Vitebsk region in 2001 in hand-to-hand combat among special forces, winner of various competitions in Slavic-Goritsa wrestling in Belarus. Vyacheslav Bykovsky (Vuslav) took second place in youth fights in 1993, third place in the Volga Cup in 1994, is a multiple winner of the Slavic-Goritsa wrestling tournament in Belarus.

The list is quite impressive and new successes and victories await the pupils of Kharkevich.

Kharkevich has one dream - to build a cottage with a gym for sportsmen, with a playground for children, a place for classes with pensioners and, of course, a bathhouse where one could do herbal medicine, make herbal teas and infusions, attract doctors, use the Slavic health improvement system. But it's not so simple - everything needs a lot of money.

I don’t know if Yuri Kharkevich will build a cottage and a bathhouse, but I’m sure of something else - it is thanks to such people, real passionaries, that the Russian world is still holding on and standing. And the Slavic-Goritsa region (I really want to believe it) has a worthy and glorious future.

With the level of training in schools and sections of the classical martial arts, not everything is as simple as we would like, and here fake systems like the Slavic-Goritsa wrestling are constantly appearing. Don't get caught! Fraud!

What is the Slavic-Goritsa wrestling? It's relatively new sports direction, a system of hand-to-hand combat, which is now actively promoted to the masses and gathers students for classes that are more like meetings of sectarians. Professional athletes treat the Slavic-Goritsa wrestling as another adventure that will disappear as quickly as it appeared. But for beginners who know little about martial arts, there are not many chances not to fall under the influence of the “sensei”.

Do you see an announcement about recruitment into the Slavic-Goritsa wrestling group? Pass by. In each city there are a large number of sections and worthy coaches, from whom you can, by spending time, learn useful techniques, increase the tone of the muscles of the body and get psychological relaxation. In the Slavic-Goritsa wrestling classes, you will simply waste your time. In the world of sports, this is fake.

The creator of the direction and its ideological inspirer is a certain Mr. Belov, who bears the pseudonym Selidor. In particular, he claims that the style of his struggle originated in the times of pagan Russia and there for a long time was the only way fighter training. Then allegedly all the tricks were lost. And only in 1986, Mr. Belov revived the primordially Russian direction of wrestling.

According to what sources the techniques and methods of warfare among the "Slavs" were restored, it is difficult to say.

In Belov's books, of which he has already published a great many, scientific theories, Slavic myths and fiction are intricately intertwined, creating the reality that is beneficial for the author to promote his ideas to the masses.

The "primordially Russian" hand-to-hand combat system itself is positioned as very effective and even deadly, capable of hitting an enemy with any level of training. But it is not necessary to train in the gym and work out racks, tricks, blocks.

You can find out how the workouts go from the numerous videos posted on the Internet. Real Slavic warriors are participating in the filming, who, imitating the epic Dobrynya Nikitich, begin to speak in a thick bass and slightly in a singsong voice, and in speech they use a large number of Old Slavonic words and outdated turns.

After watching the video, you can sign up for training, on a paid basis, of course. Training usually takes place in the forest. Trained people in camouflage. From the outside, it looks strange, since there is no specific training system.

The training of fighters is carried out in three stages:

classic fight, which involves the participation of an athlete in demonstration performances and competitions;
assault combat, which involves learning the skills of attacking the enemy;
total combat, the last stage of training, involving the comprehension of certain secret techniques that make the warrior invulnerable.

The creator of the direction claims that any “Slav” can overcome a representative of any other martial arts school, including those athletes who practice Combat Sambo. The preparation of any “Slav” fighter is much better, and training does not require gyms, tatami, sports equipment, or protection at all. General physical preparation is also not particularly important.

The training of the "Slavs" takes place according to the following scheme: in the first lessons, the master shows the basics, and then each of the students himself develops a set of techniques that best correspond to his physique and other physical data. The "Slavs" do not have a ready-made system of techniques.

There are no competitions in Slavic-Goritsa wrestling. Serious athletes joke that the reason for this may be that the "Slavs" have special deadly knowledge and skills that do not leave the enemy alive. By the way, in every joke there is only a fraction of a joke. "Slavs", even beginners, are sure that they can fight off the attack of any enemy. This confidence is instilled in them by the coach, without having any reason for this.

It would seem that a person believes in his fighting qualities, so what? And that's what! If such a “fighter” meets hooligans on the street, will he try to run away or negotiate? Not! Rush into battle. And this fight is realistic low level training for the "Slav" may be the last.

Do not count on the fact that in the section of the Slavic-Goritsa wrestling you will be able to learn how to defend yourself from an attack. There is nothing better than such proven destinations as classic boxing or no karate. And then on the condition regular classes with a serious coach for at least a few years.

class words: fight, SGB, Belov

The next element of the system, which in 1986 I called the Slavic-Goritsa wrestling, is the combat toolkit - strikes. It must be said that back in the very beginning of the eighties, practicing a system that was nameless at that time, I resigned myself to the idea of a radical rethinking of the prevailing stereotypes. This was caused not by spontaneous nihilism of independent creativity, but simply by an objective analysis of already popular systems. Arguing with academic systems, for example, boxing, which is supported not only by two hundred years of ring practice, but also by sports science, is not an easy task. And still...

Still, for example, preliminary concentration hinders the attack. Concentration is compression. More precisely, pressing into oneself during the compaction of the intercellular space. You can not drive a horse and at the same time pull the reins. Any action is true only when it is harmonious. Harmony, on the other hand, traces three states: concentration, dispersion and nature. So, if the slash is built only on dispersion, and the clenching of the fist is replaced here by artificial weighting of the limb in the form of a relatively heavy bracer, if the wall fight is based solely on concentration, since it is driven by the idea of breaking through a specific and inactive target in the "wall", then the Radogora created by me combined in one and the other. She connected both in the design of the strike itself, and in the general model of the battle. The high reflex mobility of the body is associated both with preliminary dissipation (relaxation in a state of readiness) and with the speed of reactions, in this case, mobilization. Concentration by itself does little. It needs to be carried, transformed, and, in addition, properly organized. The concentration should develop on the rise, that is, have a clearly defined degree of progression. At the same time, concentration is a stress, a spasm, and it is dangerous, first of all, for the most overly "squeezed" fighter who delivers a blow. In the Slavic-Goritsa wrestling, in particular in Radogor, the concentration is not previously created and is carried out along with the blow and intensifies in the process of its development. The fighter begins the action with a relaxed hand and progressively clenches his fist. The peak of compression does not occur at the moment of contact with the enemy, but one moment later. This allows you to transfer the structure of stress or nav, as we call it in accordance with pagan tradition, to the enemy. I have called this principle wedge-shaped concentration. His last link is the release of concentration, that is, the withdrawal of a relaxed hand from the blow to the ear. This is also done with the aim of completely transferring the Navi to the enemy and, moreover, in accordance with the idea of harmony, which has a tertiary structure. It must be said that after the most severe clenching of the fist at a point in space and time, it is never possible to achieve complete relaxation of the hand. But this should not be, because the structure created here by the third reflects the natural muscular state of the palm. That is, it is between dissipation of the beginning of the attack and concentration in its process (Fig. 1). If we consider the scheme, it turns out: [expansion - compression - neutralization]. And now, for example, let's see how a person's natural respiratory act looks like: [inhale - exhale - hold the breath]. Harmony has been achieved.

Wedge-shaped concentration strikes not only are not inferior in speed to the usual "squeezed" type tzuki, but also surpass them.

The most important condition organization of shocks is their mechanical convenience. This rule arose when the arsenal of the Slavic-Goritsa wrestling allowed the ear to be engaged in selection. True, the craving for base latitude has long been something of an obsession for us. Yes, the quantity technical elements Svili reached seventy-six, Radogora - seventy-two, hunting battle - over fifty, and about the same amount was occupied by the share of Vlesova fight. However, over the years, rationalism took over and hoarding was replaced by a benchmark for optimal content. The system should be valuable not only in terms of ideological thoughtfulness, but also in terms of the versatility of the layout scheme. And this means that nothing can be taken away from it, that is, reduced, and at the same time it is inexpedient to supplement, expand. The main link in the content side of the system is the control of space. That is, strikes are constructed in such a way as to concentrate attacking power from different points in space, taking into account the physiological characteristics of the enemy's reaction. Undoubtedly, the striking effect plays a crucial role here. And here I will dwell on this in more detail. It must be said that I am not a supporter of the idea of attacking the enemy at vital centers from a distance. I think that from a distance of, for example, one and a half steps, it is easy to evade a blow to the head, even if you do not expect this blow. To do this, you just need to have developed reflexes and a minimum motor skill. What to say then about the situation in which you are ready to repel the blow of the enemy? Only a tactical mistake can let you down here. So is it worth relying on someone else's mistakes if you attack yourself? Everywhere, except for the Slavic-Goritsa wrestling, it is customary to immediately rush to defeat the enemy. The only exception can be boxing, and even that exception is purely tactical, but not strategic at all. Everywhere they forget that the enemy has arms and legs, and they will build a more or less effective model of counteraction. In the Slavic-Goritsa wrestling, the preliminary attack is not designed to defeat the enemy, but to crush his reaction. And the purpose of the attack is to cause a reaction and break it. For all the severity of these attacks, they rarely end with the complete overthrow of the opponent. However, the stage is passed, and the next attack often ends with the enemy falling to the ground. All together takes about 4-6 seconds. So, the auxiliary attack has the following tasks (relative to the enemy):

Minimum:

trigger defensive actions;

take a position unsuitable for their own attack;

Maximum:

cause loss of orientation;

cause a short pain shock;

cause tactical errors in the counterattack.

An auxiliary attack in Radogor, as a rule, consists of three elements: an auxiliary strike that hits exclusively on the arms or legs of the opponent; a restraining blow, which we call "flickering" and designed to hold back, crush the development of a strong counterattack; and, finally, the main blow, already directed to the head or body. A secondary attack is usually followed by a main one. I write "usually" because sometimes the attacker may go for a throw. The main attack is no less rational than its predecessor. The peculiarity of the construction of strikes here is the following. A fighter does not strike again in the same place. This is due to the fact that, having missed the main blow in an auxiliary attack, the enemy can defend himself with a reflex. The enemy has a defensive reflex with a slight degree of defeat. Thus, the most striking, directed strike can meet more defensive resistance. The main attack therefore also has a secondary impact. It is applied to a different place from the previous one, the defeat of which causes a painful shock. It is followed by the final blow, capable of bringing maximum defeat. Often they attack an already poorly protected head. Sometimes - throat or spine. Much less chest. This is because the effect of hull penetration is much lower and thus we start to drag out the fight. It also happened that, missing the opportunity to hit the head with the final blow, the fighter gave the enemy a chance to stabilize, come to his senses and counterattack. It should be remembered that the main attack should no longer meet with resistance. It happens that the experience of the enemy allows him to disrupt your initial, auxiliary attack. In this case, the transition to actions to defeat would be a tactical mistake. We need to find a way to sustain the whole scheme.

The striking effect of the attack, which was discussed, is most directly related to the mechanical convenience of the basic elements. This is understandable. Which road is easier to drive: smooth or bumpy? Only natural movements can be connected to unconscious reactions that have very high speeds. And here the basic principle of the Slavic-Goritsa struggle comes into play - the battle is beyond comprehension, understanding, conscious control. We completely surrender ourselves to the power of reflexes and instinct. This is due to the fact that in a professional fight the speeds are so high, and the situations are so unpredictable, that building a conscious opposition here means bringing defeat closer. Let's figure it out. What can you oppose? Clan wushu? No, ritual plays a huge role in it, and therefore, there is an element of constructive conventionality - one and the typicality of the action - two. Karate? No, because it has rules. As you understand, the actions of the enemy are also conditioned, schematized, which, in turn, simplifies the reactions. Maybe boxing? No, it's still more schematic, orthodox. In this case, there is a duel without rules on the totalizator. And still no. Why? Because with all the breadth of the possibilities of this fight, it is expressed in a single combat scheme (so you don’t expect an attack from the side), you can refuse to fight and you won’t be touched, finally, the conditions for the fight guarantee your complete convenience of action, and most importantly, you ready to fight. On the street, there is neither one, nor the other, nor the third. Fighting, for example, is not always martial arts. And to see all the attackers at once is simply physically impossible. Unlike the sweepstakes, here you cannot refuse to fight, hiding your life behind this refusal. Often cowards and incompetent people are beaten with greater cruelty. Well, besides, unlike all martial arts, a fight does not at all provide for the mutual readiness of the parties for battle. It is much more typical when you are attacked at the entrance, at the moment you get out of the car or the elevator, from around the corner of the house, etc. The conclusion is very simple. A conscious scheme of actions is not suitable here. Martial arts and fighting are two different things. They have different goals, different ways of organizing the action, and therefore, the technical base. The only thing that unites them is the cult of impact. True, in a fight you can use both the karate skill and the tennis skill with equal success (if you have a racket with you). In the event that the opponent's head can pass for tennis ball. I trained a master of sports in football. He told about such a case. Somehow, at a bus stop, he was hooked by a young and self-confident boor. It came to a fight. The boorish opponent struck the football player with a technical and strong kick in the stomach. Fighter, apparently, felt very confident in the technique of martial arts. The football player survived, albeit with difficulty. Then he hit. foot. He was never taught to hit people, but the karateka no longer got up.

unconscious reactions with high level accuracy of action is the basis of the Slavic-Goritsa struggle. I foresee a reproach of inconsistency. Indeed, I declared the Slavic-Goritsa struggle to be an assault, attacking way of fighting, and suddenly we were talking about repelling aggression. This is one of the paradoxes and not only of our business. I dare say that nature in general. Physics, for example, gave him their explanations. "The force of action is equal to the force of reaction" or "The buoyant force is equal to the weight of the liquid (gas) in the volume of the body." That is, we can say that opposition is the law of Nature, a way to achieve order and harmony. The impact on a particular environment provides for the force of proportional counteraction in Nature. The only question is what is considered aggression - a blow already dealt to you or just brought over you. What does nature say about this? Aggression is the very attack on the habitat of an individual. Whoever steps on it meaningfully goes into conflict. In human society, different peoples of Antiquity had a custom - even in the case of an invited visit, to give their weapons to the owners. While visiting their territory, of course. You see the role that territory plays in determining aggression. You can attack your guest, but this will no longer be aggression. This act is characterized by a completely different form of custom - a violation of hospitality. It has always been considered a crime among different peoples. Why? Because by not having aggressive intentions and expressing it in traditional ways, your guest is in a less advantageous position for combat. Observing the status of a guest, he consciously goes for it. Territory. She makes some aggressors, others righteous, and others guests. What is territory? The territory is a zone of living space. A people, a tribe, every family and, of course, every individual has such a zone. What is it for a person? No, not five social welfare square meters of housing, but the diameter of the horizontal space in which the radius is proportional to the growth of the person himself. That is, space in all directions, enabling a person to lie without bending. The same space can be measured with a long arm extended with a sword. The reach of a weapon to a person is already the distance of encroachment into the zone of the instinct of the territory. Thus, irritability in a herd animal occurs when an outsider carelessly approaches it. In nature, defending oneself and defending one's territory are essentially the same thing. Hence, the norms of the Slavic-Goritsa wrestling consider aggression as a rapprochement with a fighter at a distance of reach with a blow. But what about intentions? - You ask. After all, we are constantly on the street with someone approaching. Yes, indeed, we constantly deceive our instinct, bringing it to dullness. And yet intentions must also be judged by instinct, not consciousness. There are a lot of signs of aggression, which, together with a violation of the distance, can cause you to have a completely justified reaction of a retaliatory attack. First of all, it is the impetuous activity of the one who violates the distance. Second, the centerline of his movement is through you, not past you. And the third - an attempt to create an additional, nothing but aggression, not justified movement when approaching you. For example, some kind of hand movement. That's all, this is enough for the street, especially if the time factor (night), the place factor (deserted wasteland), etc. still act. Thus, the ideological scheme of the Slavic-Goritsa struggle provides for the following proportions:

(* In a sports fight, it is mutual, because the fighters, being within reach of each other before the start of the fight, start the attack in the clinch.)

In a professional fight, as you understand, the effect of a technical action is directly related to your combat capability in general. Unlike martial arts, where such an effect is conditional, and the action is more demonstrated than carried out. Therefore, the design of strikes in the Slavic-Goritsa wrestling is designed not only for defeat, but also for the spatial maneuver necessary in a fight, as well as for the possibility of quick and easy serial interactions. These strikes have one more feature. Almost all of them are taken by me into the motor scheme as an imitation of the movements of a fighter with traditional weapons. And this is also one of our distinctive features. For example, inflamed imitates a blow with a flail at the enemy through a shield, a turga - a stabbing blow with a spear forward, a falcon - a chopping blow with an ax, a stretching "around" - an arrow falling off a kibit, both notches - a clean saber, a ratovishche - a transverse blow with a spear, and the smell or Greco-Roman defense - repulsion with a shield. Straight from the hem - a stone falling off a sling, a cue - a combat hammer, and a twisted crack - a lasso. The arsenal is solid. The euphoria of the battle, involving the fighter in the typical movement, behavior and internal state, is the most fertile environment for the development of individual abilities. This is probably due to the fact that the echo of the memory of such a battle is preserved in the nature of most men. Picking up a beautifully and realistically made dummy sword, a man experiences vague mental hesitation, similar to nostalgia. I dare to say that the natural masculine principle is expressed the stronger and more convincingly, the stronger and more convincingly a man's craving for single combat or confrontation, weapons and battles in general.

Another feature of the blows of the Slavic-Goritsa wrestling is that the arms and legs have a clear structural similarity. One might even say that technical standards shoulder girdle and lower limbs copy one motor stereotype. This is done with the aim of subordinating to a single motor order, a single pattern.

Slavic-Goritsa wrestling avoids not only labor-intensive strike designs, but also simply not very physiological ones. I am ready to argue with the apologists of martial arts that stretching the legs into a "split" is not a natural procedure for a person. And therefore the blows built on the "twine" carry a shade of aesthetic barbarism, similar to the physical "perfection" of the mutant. (Fig. 2).

In the Russian martial tradition, such forms are completely absent. This is probably due to their inappropriateness in the conditions of real life and the environment. However, this circumstance does not at all negate the ability of Russian fighters to carry out high kicks. I must admit that the question of the tradition of delivering such blows in antiquity cannot be considered indisputable. It is reliably known that significant changes towards expanding the possibilities of Russian competitive practice occurred in the 16th century, during the reign of Ivan IV. It was at this time that the idea of free combat developed, which replaced the orthodox prohibitions, which still had a ritual origin. In the XVI century. and later they fight with their feet not only extremely actively, but also in full attacks, skillfully attacking the head. This is evidenced, for example, by Baron Herberstein, whose notes I referred to in the book "Origin". This is confirmed by the Vyatka tradition of dancing men, when they knock each other's hats off each other's heads in a dance, using a semblance of a high kick with their feet. The Turkic and Tatar communities neighboring Russia not only do not support the general trend of freeing hand-to-hand combat from traditional restrictions and prohibitions, but generally do not allow the expediency of kicks. This is due to the prevailing perception of the Tatars about these strikes as a completely ineffective technique. It is difficult to argue with the Tatars here, because their closest relative Tamerlane had the richest experience in conquering China with all its Shaolin and martial arts.

Thus, the kicking technique of North-Eastern Russia is endemic and independent. The features of this technique are reflected in the Slavic-Goritsa wrestling, which not only copies the historical tradition, but also constructively develops it. This development does not go beyond the traditional mentality of Russian hand-to-hand combat, its anthropometric scheme and aesthetic stereotypes.

What is the peculiarity of the blows reconstructed, used or modified by the Slavic-Goritsa wrestling? Let's start with the legs. The conditions that affect impact design reflect:

Constant wearing of shoes;

Constant wearing of clothes that are quite dense and voluminous for at least seven months a year;

Ground condition affecting the stability of a fighter during strikes, at least five months a year - slippery ground;

Combat expediency * and conditionality;

body type;

Traditional traffic standards and more.

(*This is about street fight. Unlike martial arts, the very name of which is a one-on-one fight, a street fight is a one-on-one fight. Therefore, the problem of the dynamic and constructive expediency of strikes is very relevant here.)

For example, if we consider such a factor as winter clothing, it is quite obvious that it can serve as an excellent shock absorber, protecting the body even from penetrating impact. In a street fight, and therefore, in the Slavic-Goritsa wrestling, rigid, concentrated stances are inappropriate due to the fact that they drastically reduce the dynamic mobility of the fighter's body on the court. This also affects strikes developed not from a standard stable and stable position, but from a constantly moving body, which, in addition, is also constantly attacked from all sides. The blow itself must be an element of movement in space. That is, the leg after the impact does not return to its original position, but drags the body into a shift along the site that harmoniously follows from the impact. This method is also valuable because it allows you to use the inertia of the movement, involving it in the consistent development of blows already in the shoulder girdle. Such impacts are also much more economical than impacts from a stable position, since the latter, according to the law of physics, waste a huge amount of energy at the moment of creating containment stability. After all, in order to stand on the supporting leg with a powerful, for example, eco-geri, you need to apply a force that creates this stability as opposed to the blow itself. In the Slavic-Goritsa wrestling, the mass of the body is directed to the blow, strengthening it as much as possible and not interfering with stability, but creating it by the course of the blow itself.

In the last phase, hands actively enter the battle. It should be remembered that the phase of the adjusted concentration corresponds to the horizontal position of the leg (Fig. 3b). Blows of this type are exposed to the level of the lower part of the chest - the diaphragm, if one takes into account one's own height. This level is optimal for them.

The hem is often confused with the Goat. Outwardly, these blows are similar, but they have completely different ways of influencing the enemy. If Nav Podil rolls horizontally into the opponent’s chest, after which the “empty” leg falls into step stabilization, then in Koz the blow is delivered by the step itself and it is designed for breaking through internal organs from top to bottom (Fig. 4). The blows of this class in the Slavic-Goritsa wrestling are called "trampling" or "walking". Ugovica is one of them. The peculiarity of Ugovitsa lies in the fact that this type of trampling breaks through with the rotation of the body by 180 degrees, which, on the one hand, creates a rotational moment, intensifying the impact, and on the other hand, takes the body into a position with a greatly changed angle of subsequent attack

The arsenal of kicks in the Slavic-Goritsa wrestling is 25 basic units. In order to conduct a sports fight, of course, it is not at all necessary to use and practice them all. However street fight still provides for the coverage of space, voluminous spatial combinations, which, together with speed qualities give a chance for success. Therefore, the correct approach to the development of the Slavic-Goritsa wrestling provides not for the traditional phased learning of techniques, but for implantation in space. It starts from the first workout and covers 100-120 reflex movements, including strikes and movements. And therefore the question, "which technique is better?", is not worth it here. It is about which is more appropriate in the specific situation. And so the fighter is obliged to own the entire base. This is about the same as using all the letters of the alphabet in the practice of writing, and not selectively on the principle of "like - dislike".

Another stroke that we will focus on is called Turga. This is our speed champion. Its test indicator is 0.5-0.8 seconds. In the context of my reasoning, it is not indicative, since Turga does not solve the problem of a cardinal change in the angle of attack of penetrating blows. However, this is an ideal way to pre-empt aggression. As a rule, Turga is placed on interrupting the opponent's kick in the first phase of his development. In case you made a mistake and there should not have been any blow, by slightly changing the angle of the leg exit, the opponent’s stomach is attacked. As a rule, Turga no longer rises above the abdomen. The difference of just a few centimeters in the level of withdrawal gives a noticeable loss of speed here. In general, Turgi's "personal niche" is the liver. It is this angle of impact exit (from the right limb) and the level of development in height that make up the ideal Turgi model.

The last in our system of kicks is the Sbitok. This strike is performed in close combat and works well with arm attacks. Another feature of the Sbitka is that it easily develops in all directions, including turning behind the back. Unlike previous blows, the main force impact in the Sbitka is carried out from the bottom up and at a fairly sharp angle. This classifies the Sbitok as a group of hits. Figure 8 shows the launch angle and the most combat-ready strike distance. The place of the Sbitka is the opponent's chest, this level is the most constructively expedient.

Models of punches Gleznya, Koza, Podsek, Classic Podsad, Garter, Tuck from the hem and Bryk are presented in the first book on the Slavic-Goritsa wrestling published by the Center "Health of the People" - "Origin".

In terms of the abundance and combat effectiveness of the technical base of the hands, the Slavic-Goritsa wrestling, perhaps, can be compared with wushu. Yes, and not with one style, but with a whole direction. This potential arose due to the fusion of wall fighting and the battle, reconstructed by me in order to create the most combat-ready and adapted to the propulsion potential of a European system. If the shock structures of wall fighting are not much different from other types of martial arts, then slashing is a special matter. It is she who creates the unique flavor and special aesthetics of Russian hand-to-hand combat. It is impossible to learn a cut from hand-to-hand instruction. She's too complicated for that. In my experience, out of 100 beginners, about three to five can correctly repeat the movement for me within 10 minutes after the first acquaintance with it; ten people - during one or two training sessions; Fifty percent of newcomers need two weeks for this purpose; another fifteen people pull themselves up in a month or two or three; units take years to cope with their traffic coordination problems; and, finally, fifteen people out of a hundred will never be able to master the swords. Slash, and with it Radogora - a solid motor impulse. She denies any forms of motor stagnation: a waiting stance, grabbing an opponent by the clothes, hands down, etc. Radogora constantly attacks and her attacks also serve three purposes: to hit the enemy, to repel the attack already launched by him, and simply to force the enemy to refrain from any actions related to aggression. Radogora is a demonstration of combat capability. It is much more humane than such strike organization systems as, for example, the Japanese "atemi" (strike on vital centers). This is confirmed by the fact that the first onslaught of Radogora, as a rule, aims to destroy the enemy's resistance and only after that to destroy him himself. In case of refusal of aggression, the enemy can be left alone, which, by the way, quite often happens in street clashes. This is due to the conscious control of the consequences that the next attack can entail - an attack of pure defeat of the enemy. Radogora gives a chance not only to win, but also not to fall under a long term of imprisonment. I think that the hot heads of our night streets always think too little about this circumstance. The case repeatedly saved me from the very big troubles associated with the murder of a person. And one day I said to myself "Stop!". There may not be a next time. Don't risk playing with your destiny.

Most of the strikes that come to the attention of readers reflect the idea of bringing a straight out of any position. A skilled and well-coordinated fighter always brings a straight line out unexpectedly and often from a position that at first glance is not suitable for such an attack. Of course, such blows can be inferior in strength to single ones, which have a pre-formed position under them. However, do not forget that with a load of only 16 kg, you can knock out anyone. At the same time, the impact force of karate masters, for example, reaches 400 kg. A perfectly legitimate question arises: "Why?" Especially when you consider the wear and tear of the body that generates such power. The search for rationalism has deduced a certain uniform pattern for all direct strikes. It says that the straight line must be "seated" on a stable position of the legs. You can start the blow even in the fall, but its rule must necessarily be joined with balanced stability and fundamental stability of the posture. For these purposes, the Slavic-Goritsa wrestling is served by the Retired Charter. Rice. 9. Retired Charter - a forced position, and the task of a fighter is to stay in it as little as possible. Another element of the general pattern is the position of the fighter's body at the time of the strike. The hull cannot be rolled forward by inertia. This is a very gross mistake. And the last. The direct gift is very open. Imagine for a moment that the enemy's motor reflexes are faster than yours, and your direct attack misses the target. The stumbling block is a straight hand "given" to the opponent. Every direct attacker takes some risk. Evasive opponent without special work hits you sideways on the body or wedges your arm, which in itself is tantamount to defeat. In Radogor, there is a mandatory procedure for stabilizing a position.

The idea is not to make the direct line too obvious to the enemy, and immediately attack the possible actions of the enemy reacting to your direct line.

Radogora makes you think that combat is a set of actions that does not allow spontaneous, mutually unrelated self-manifestations. Radogora makes perfect use of design features hands, in particular, the interconnection of her three large joints. Each of the joints sequentially transforms the power impulse, concentrating it in the attacked zone. Elemental Radogora, not associated with the basic phenomenon - slashes, can be observed at the reflex level of fighters of other types of martial arts. For example, the youngest world champion in professional boxing Michael Tyson almost perfectly attacked with a Russian fire. Of course, in his mind, this blow has a different name and origin.

Ways of delivering a direct blow in Russian fisticuffs.

Direct "from the candle".

- "stretching".

The peculiarity of strikes is that they are formed with a body that develops an attack.

Straight "from the candle" uses only the strength of the shoulder girdle. The blow is thrown from above.

In "extension" the body is twisted, and the straight line uses the inertia of this movement.

# The symbol shows the volume of the impact force potential. The number of characters is proportional power characteristic hit.

The legendary Polydeuces in the traditional position (Greek depiction). Removal of buzdygan.

On filmstrip:

Direct "from the scythe", "scythe".

The peculiarity of this strike lies in the fact that it is "thrown" forward by both shoulders. The blow is delivered in a strictly horizontal plane, which is why it is applied mainly to the enemy's body. Belongs to the most strong blows.

- "a cape from the hem."

The low mobility of the body during the development of this blow makes it limitedly strong, but at the same time, an excellent connecting element in an attack that is complex in technique.

One of the strongest direct blows is the "swinging" one. A detailed analysis of it is given in the book "Origin".

Direct "in a coupler". Ego punch maneuver. Its power potential is small, however, "in a coupler" perfectly copes with the function of the block, when, for example, it is necessary to knock down the opponent's hand, immediately attacking him in the head.

A typical Radogor attack using a dominant buzdygan. The cinematography captures fragments of blows and transitions of hands to attacking positions. Here the idea of "relaxation-concentration" is beautifully demonstrated, "flickering" containment is actively working and the action of the vertical elbow loop is shown.

The idea of a direct strike assigns the role of a single rod to the forearm and fist. Thus, the shoulder, acting on the elbow joint, throws forward the entire structure, and not each of its parts separately, as it looks like in a section, which I have already mentioned. Carrier-pusher-shock part connected to the pusher].

Ways special training hands in the Slavic-Goritsky wrestling.

Breaking matches by pressing with fingers The number increases in proportion to the skill.

Rotation of a heavy iron rod. The exercise perfectly strengthens and develops the ligaments of the elbow joint.

Brush tenacity exercise. The bump breaks on the fly.

Spectacular pumping of the body - Health Portal

Basic styles

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